bruger talebeskeden som figur for digtene

der kæmper med sin fortid

en usentimental

og den krediteres for at være en af katalysatorerne bag den opblomstrende feministiske debat

spredning af frugter og frø

Fundamentally bruger talebeskeden som figur forNadia is an academic who's been disowned by her puritanical mother and dumped by her lover, Rosy. She decides to make a getaway, accepting a UN job in Iraq. Tasked with rehabilitating ISIS women, Nadia becomes mired in the opaque world of international aid, surrounded by bumbling colleagues. Sara is a precocious and sweary East Londoner who joined ISIS at just fifteen. Nadia is struck by how similar they are: both feisty and opinionated, from a Muslim